This world of cosmic complexity and infinite uniqueness fascinates me. Inspired by the organic unity visible to the human eye, I contemplate how the world is composed. Looking into textures and surfaces, I study infinite patterns, connections, and ambiguous signs of biological activity. Everything, subject to fundamental forces, manifests resemblance through its worldly origin. Meanwhile, despite the endless earthly plurality, uniqueness is an inevitable aspect of existence.
In my art, I rely on a hyperrealistic style to celebrate the complexity seen in details, textures, and so-called defects. I spotlight, the most ordinary and even absurd things. By taking the object out of context, fragmenting it, and modifying only some aspects, I create an abstract image while preserving the hyperrealism of details. I underline the heterogeneity of color, capture textures, and accent distinctiveness. My practice centers on the phenomenon of shifting perception as a way to invite new insights.
I work with many mediums, exploring and mixing them in unconventional ways. I do not aim to reach one method, nor do I use one medium the same way. Instead, I allow the project to choose the most harmonious material and technique. I currently explore body casting, printmaking, gilding, and mixed media techniques. However, my practice is about constant experimentation to gain inspiration from observing the raw materials.